Alex & Steffen: Score with Snickers!
See Snickers Spot here
See Snickers “Making Of” here
See Snickers Credits here
Alex & Steffen complete thrill-driven spot for BBDO Moscow. Shots had this to say: “It’s barely two months since the Rugby World Cup ended and here we are again, watching overgrown monsters engaging in a violent contact sport, but this time it’s all down to CGI as directing duo Alex & Steffen turn out a cracker for Snickers via Toronto’s Spy Films and BBDO Moscow with post production from their own company Unexpected.”
See full details at shots.net
Snickers has also made quite the impression in the CG world. Motionographer, a site dedicated to sharing great works, noted this: “When I first started watching this spot, created over at Spy Films, I was afraid it was going to be a typical CG smash-n-dazzle with no real point other than “man, that looked sweeeet”. I was pleasantly surprised to find that this isn’t the case and that the twist is pretty darn clever. That, and man it looks sweeeet.”
3D World Magazine (a magazine documenting in-depth 3d news and trends) has written a great article detailing alot of the CG techniques used in Alex & Steffen’s Rugby.
See article here
Terminus: Trevor Cawood makes BIG NOISE at TIFF
Terminus, a short film produced with a crew no larger than 7 people, made for quite the attraction at this years Toronto International Film Festival.Swarmed with questions, 33-year-old Canadian Trevor Cawood, had this to say: “I like psychological films. Films that comment on who we are, and how we got there have always been my favourites. I’d like to explore those themes in the future.”
Check out the complete interview here
View Terminus here
Named one of this years Directors to Watch by US based Creativity Magazine, get the full PDF here
Terminus also finds press in the hotshots…shots had this to say:”Reading his newspaper while waiting for a subway train, a man is approached by a bizarre concrete creature. They stare at each other, but before long the man dips his head back into his paper. To attract his attention, the figure begins to dance, forcing the man – still trying to ignore the creature – to flee. Paranoia ensues as the mysterious figure pursues our protagonist relentlessly.”
See full article here
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